Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Grigoriy Ugryumov
Die Einnahme von Kasan durch Iwan den Schrecklichen 2

ID: 98027

Grigoriy Ugryumov Die Einnahme von Kasan durch Iwan den Schrecklichen 2
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Grigoriy Ugryumov Die Einnahme von Kasan durch Iwan den Schrecklichen 2


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Grigoriy Ugryumov

painted Alexander Nevsky in Pskov, after they victory over the Germans in 1793.  Related Paintings of Grigoriy Ugryumov :. | The guest meal of the here ode | River Landscape with Pellekussenpoort, Utrecht and Gothic Choir | Floral, beautiful classical still life of flowers.074 | Venus Bathing | Annunciation |
Related Artists:
George Horlor
British 1849-1891
Edmund Blair Leighton
1853-1922 British Leighton was the son of the artist Charles Blair Leighton. He was educated at University College School, before becoming a student at the Royal Academy Schools. He married Katherine Nash in 1885 and they went on to have a son and daughter. He exhibited annually at the Royal Academy from 1878 to 1920. Leighton was a fastidious craftsman, producing highly-finished, decorative pictures. It would appear that he left no diaries, and though he exhibited at the Royal Academy for over forty years, he was never an Academician or an Associate.
Nicolae Grigorescu
Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.






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